die raum
https://www.dieraum.net/files/gimgs/th-57_57_dieraum2016-0028-poul-pedersen-with-anders-bonnesen.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen01v2w.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen05v2w.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen19v2w.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen10v2w.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen14v2w.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen07v2w.jpg
https://www.dieraum.net/files/gimgs/th-57_57_20160714drpoul-pedersen-with-anders-bonnesen13v2w.jpg

2016 0028 poul pedersen with anders bonnesen: treppen

june 11 — july 29, 2016
viewable 24 hours

vernissage on friday, june 10, 19 h


Treppen is a collaboration between Poul Pedersen and Anders Bonnensen. Poul Pedersen (1933) is a key figure of the Danish sixties avant-garde and has been Paris-based since 1978. He has invited his younger colleague and friend to respond to his piece Staircase (Mondrian in Memoriam, 2016). This work is a series of five plainly framed monochrome paintings in the primary colours: red, yellow and blue, which are placed in a diagonal progression on the wall — corner to corner — to form steps that gradually increase in size. Bonnesen comments on Pedersen’s work with a text piece covering the entire floor that cites a German translation of Julio Cortazar's “Instructions on how to climb a staircase”. This reads — like steps — from the bottom up.
 These artists share a common interest in the complex relationship between images and words; the image as a sign, and the sign as an image. Idiosyncratically, they use simple, playful gestures to talk about the essence of words and images, as well as the ever-changing structures of language and the dynamic status of objects between form and function.